How to plan a film

Once an idea for a project has been developed, approved and cleared for filming the work really begins. This is the time the Producer, if they haven’t already engage a Director, gets the best one they can for the shoot.

Director: They will run the shoot and, more often than not, select the crew they want. They will also help develop the idea, the content and the vision and suggest crew to support that creative direction. There is no point having a corporate film specialist on an epic drama or a social media specialist on a long form documentary. Although there is always cross over and mixing genre of specialism can work, its important to pick the right person for the job.

Crew: In your prep you will have a budget. Make a note of everything because, as soon as you bring a Director or DoP in, your great idea for kit and crew might go out of the window. They will have a better, sometimes cheaper but often more expensive, ways of creating the content. Pick your crew, go with recommendations and negotiate where you can. A Producers job is balancing the books at the end of the shoot so get the best you can but don’t blow everything on a helicopter when you haven’t brought lunch.

Admin: Paperwork is a Producer’s best friend. As well your cost sheet you will need to have your pre-production schedule and your shoot documents. The schedule should be fed into by your crew and your client (if shooting for a business) so that everyone has agreement on what to do first and knows when they are needed. Your shoot documents are even more important. These will include Public Liability Insurance from your crew, your risk assessment and your call sheet.

Permissions: Part of the prep, and often the hardest part, is getting your permissions in order. This can be anything from a filming permit through to agreeing usage rates for your actors. Make sure you have a release form for all people and locations you use and have proof of any fees you have paid for using a space.

Have fun: The shoot is the best bit. This is where the magic happens and the idea comes to life. The Producer should have nothing to do here because, if you have done your job right, everything has been thought of and planned ahead. So sit back, enjoy the lunch you had delivered for everyone and the snacks you brought in advance and watch the team you have built do their thing!

 

5 tips to do well on film

When being interviewed even though your are feeling sh*t scared you can still do well. Take a deep breath, smile and follow these few steps. Hollywood awaits!

1.    Be prepared. Know what you want to say before you say it. This doesn’t mean endless hours or rehearsals because you don’t need to. When answering questions do it naturally and in your own words. Don’t try and force it but, if you do need to site stats and facts, have a note of them with you so you land them right.

2.    Be on time. Rushing into a shoot and getting straight into it might sound nice to get it over and done with but, if you get there early, you can see the set, the room and even what others before you are doing if there are multiple interviews. Also it always looks good to be a bit early. The crew will thank you for it.

3.    Dress right. Thin stripes, close together stripes of checks and green. Some colours and patterns to avoid on film. Digital cameras cannot cope, even now, with tight patterns and moire on film is unsightly at best. Also you may be filming against a coloured background either for effect or as a green screen so know the set before you dress so you can be seen.

4.    Have some water. Any crew worth their salt will give you a glass or bottle of water to have with you during your interview but have one with you just in case

5.    Don’t Panic! Most people find being interviewed on camera a little intimidating. Especially under a professional lighting setup. Relax. We’ve got you.

Producer luggage top 10.

As the holiday season ends, and we have put the washing on for what feels like the hundredth time, the packing continues for Producers. As we head to the next shoot, what are the little things often forgotten when producing, or attending a non-broadcast shoot? Here’s our top ten:

  1. A clipboard. Essentials for scripts, storyboards, all production docs and, of course, for looking important!

  2. Snacks – a crew essential. A fed crew is a happy crew. What snacks to take is a whole new list in itself!

  3. Notepad and pen - a crime not to have.

  4. Cutlery. The amount of times you are on set and you can’t find a spoon is immeasurable

  5. Recyclable coffee cups – even at a client location you cant guarantee a mug

  6. Credit Card – there’s always something needed even if it’s a round at Costa

  7. Green tea, Peppermint and Mint tea – all types of tea and non-dairy products like Soya Milk

  8. Bin bags – and recycling bags as well

  9. Phone chargers – Power banks and cables for those who left home in a rush

  10. Cable ties – plastic ones or Velcro ones or even those little plastic white ones with a wire in the middle for food bags. Very useful.